2021

2020/2021 The Book


 


[photos by Lisa Moura]

2020 / 2021 The Book is a publication that collects two years of programming and research developed at the Museum of Art, Architecture and Technologymaat – Museum of Art, Architecture & Technology 2019 – 2021 (Lisbon) under the direction of Beatrice Leanza.

This deliberately untitled volume signified by the temporal bracket of 2020/2021, was editorially conceived as a series of individual items (called maat Papers) each originally produced to accompany exhibitions and projects in a set of ‘read/see’ in-prints. This volume incorporates them with extra contents in the form of textual and visual essays that together encapsulate the concrete possibility for a form of critical institutional practice to emerge as a response to the unprecedented complexities we face as a society of planetary expanse.

In keeping with the future-driven, collaborative spirit of its contents, the book is a collection of designs developed by the design team of the museum and different studios that came involved in the making of graphic projects and visual identities of various programs. Bundled in a custom binder to be filled with new in-prints over time, the book is also a physical moniker of the transformative and additive nature of its own content and the kind of institution it speaks of.

The book opens with a section dedicated to the 2020 program maat Mode – Prototyping the Future Museum which featured along five months more than 220 events organised in collaboration with over 80 individuals, collectives, entities and organisations near and far, and set in the museum-wide architecture intervention “Beeline” commissioned to the NY-based studio SO – IL.

The programs’ investigations looked at the increasingly troubled earth-bound life and unveiled forms of active engagement we could uphold to appease the mounting extremes and radicalism of phenomena that are product of our times, and how to model new avenues of experience and experimentation through creative knowledge and inspiration.

Relevant photos and texts are presented in four strands: “Of Lands, Seas and The Human Factor – Exploring ecosystems of life, preservation and multi-species coexistence”; “Community and History In Music and Sound – Voyages through alternative traditions, sonic mythologies and collective legacies”; “Freedom Practices – Visions of a world in various states of emergency”; “Digital Reels – The museum on a keyboard and other stories”.

Projects are grouped under two main sections – Collective Futures and Time & History – each collating voices and visions from curators, creative practitioners, scholars and activists that came involved in exhibitions, public and educational programs, onsite and hybrid projects many of which can be accessed on maat ext. (extended), the museum’s new digital space launched in 2020.

From journeys into the world of post-global geopolitics, a remastered understanding of humans’ relationship with the other-than-human world, marine ecosystems, epidemiological history and contemporary biopolitics, some of the projects took on the challenge of unmaking the long-standing paradigms through which we have known the world, to liberate new forms of imagination that are plural, emotive and more than haptic, designing new paths of planetary empathy.

Others fostered encounters around the historical legacies of imperialism, colonialism and unattended traumas either politically motivated or environmentally inflicted, so opening up the museum to critical enquiries around collective agency and emancipating forms of intellectual and social participation towards embodied justice.

The program framework maat Explorations encompasses an ongoing series of exhibitions, public and educational projects delving into the multi-faceted subject of environmental transformation from various scholarly and experimental vantage points, bringing forward sociocultural and technological investigations interwoven in speculative and critical practices in the arts and design at large. 

Part of this effort was the establishment of the Climate Collective which pays testament to a desire to deepen our understanding of climate justice as an intricate complex where geopolitical, legal, and sociological implications abating the life of people and ecosystems in the other-than-Western world are of critical importance for constructing equitable futures on a true global expanse. Conversations from the inaugural program Climate Emergency > Climate Emergence (2021/22) are presented in edited form. 

We have upheld a credo that institutions of culture are civic arenas that should perform as purpose-driven organisations, all throughout times when they were at their most vulnerable, but also when the importance to renew their relevance in contemporary societal discourse was at its most critical.

I am a believer in the role and responsibility of cultural institutions to empower inclusive forms of confrontation that can help us all discern, explore and engender equitable futures, planetary respect and mutual care. We have made “prototyping the museum” a motto supporting our every action, co-designed with professional and general publics, stakeholders of various background and provenance, entities of research, education and practicing activism, to ultimately conjure a future-driven museum that transforms as we transform with it.” (excerpt from the introduction written by Beatrice Leanza).

CREDITS:

Editors: Beatrice Leanza, Nuno Ferreira de Carvalho
Book design: Lisa Hartje Moura
Featuring designs by: dotdotdot, Joana Pestana, Max Ryan, studio obelo, João Turvo, omni group, Beatriz Severes
Language: English (Portuguese language edition also available)
Published by: Museum of Art, Architecture and Technology, Lisbon – December, 2021

A limited number of copies is available for press reviews – please contact press.maat@edp.pt
For more information maat@edp.pt 

 

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maat – Museum of Art, Architecture & Technology 2019 – 2021


 

Executive Director – maat museum from 2019 to 2021 (programme active through 2022).

Throughout my tenure at maat and confronted with the unfolding of a global pandemic, we have endeavoured to embrace its challenges with courage and optimism, dedicating our efforts to the establishment of a future-driven institution of purpose and open-ended, creative inspiration. 

You can read more of all we did at maat website (which was fully restyled and reprogrammed since March 2020) and maat ext. (i.e. maat extended) which was luanched in September 2020 as a new permanent digital space and an expanded realm of action for the institution. A novel editorial practice dubbed maat Papers was also established in the form of serialized inprints  accompanying a variety of exhibitons, reserach projects and public programs. 

A relevant book collecting these years of prjects, reaserach endevaours and creative feats was published in December 2021.

Here follows my preface:

“2020/21 – The Meaning and Making of Cultural Agency”

It might be premature to assess how and to what degree the memories of the past two years will affect our long-term future thinking; to be sure though the spatio-temporal hiatus of the pandemic has thrusted in the foreground how vigorously we ‘can’ act as a community to safeguard the values we share, and that hold us together. The question is whether we will keep our senses alert and our intentions forceful with equal confidence once the logistical technicalities of epidemiological control will be normalized in our everyday life. My answer to this interrogative is ‘yes, we can’, on the condition that spheres of public agency where “the articulation of debate, the sharing of positions and the articulation of knowledge” can be preserved. We have upheld this credo for institutions of culture to become civic arenas performing as purpose-driven organizations all throughout times when they were at their most vulnerable, but also when the importance to renew their relevance in contemporary societal discourse was at its most critical. I am a believer in the role and responsibility of cultural institutions to empower inclusive forms of confrontation that can help us all discern, explore and engender equitable futures, planetary respect and mutual care. We have made ‘prototyping the museum’ a motto supporting our every action, co-designed with professional and general publics, stakeholders of various background and provenance, entities of research, education and practicing activism, to ultimately conjure a future-driven museum that transforms as we transform with it.

We have endeavoured to make the present our home, as it is the most difficult to inhabit and yet the only temporal construct through which we can gauge both past and future, convinced that the new institutional paradigm is one where multiple temporalities, modes of creative engagement and encounter collide – where we practice coexistence not as an amalgam of individualities but an interwoven body of bonds and ideas as collective potential.

Lisbon, October 2021

BL

Photo credits: maat and Central  – EDP Foundation Campus, photo by Fernando Guerra. 

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