A New Common Sense of Space
November 4 – December 8, 2009
Museo della Scienza e Tecnologia Leonardo da Vinci | Milano, IT
curator :: Beatrice LEANZA
exhibition design & graphic project :: studio dotdotdot, Milano
catalogue design :: LI Naihan
artists :: AHN Doojin, Ahn Kanghyun, AN Jungju, BAE Young Whan, BIRDHEAD (SONG Tao & JI Weiyu), GAO Shiqiang, HASHIMOTO Satoshi, Elaine W. HO for HOMESHOP, JUNG Yeondoo, Kim GISOO , KIM Sangdon, LEE Wooyeon, LI Naihan, Liang Shuo, MATSUBARA Megumi, MIN Ji Ae, NI Haifeng/Arrow Factory, NIWA Yotaro, QIU Xiaofei, Siren EUN Young Jung, TANAKA Koki, MICHIKAZU Matsune/The SHOP, XIJING MEN (GIM Hongsok, CHEN Shaoxiong & OZAWA Tsuyoshi), YAN Jun, YANG Jun, KIMURA Yuki, KIMURA Taiyo.
Presented for the first time in Milan, the exhibition features the works of 27 artists from China, Japan and South Korea. The project sets forth an investigation of multidisciplinary artistic practices which implicate new formal and conceptual relationships with the space of the contemporary and the habitat of the everyday, by introducing a heterogeneous group of artists, art collectives and independently-run art spaces with backgrounds in art, design, sound and architecture.
The projects included in this exhibition manifest an intrinsic connection with the spatial and social conventions of their original contexts, and intend to provide an understanding of the way younger generations are formulating new ways to deal with the space of art and social action by assuming a position of open, dynamic marginality. The tentative, incomplete quality of these, for the large part, installation-based works (featuring photography, video, drawing, architectural interventions, publications, performances, sculpture) comes into being as a product of intimate negotiation and continuous readjustment with the immediate environment and its social implications by forging aesthetic assemblages that subtend re-invented symbolisms and meanings for the contemporary.
The aesthetic order framed within this exhibition inhabits the episodic nature of reality by reconnecting to its fragmented, scattered, precarious objects via subtle strategies of self-design, where fragile materials of everyday use and familiar forms are reassembled into new spatial relationships.
The abandoned, discarded and cheap materials which are often employed in these works are recollected and brought into new relations of force, so to expand the field of vision beyond their contingent materiality. In this sense the relationship kindled between the viewer and the work is ever reformulated onto an ambiguous, non-deterministic territory, where consciousness and recognition are negated a manifest environment and rather accommodated in an unstable, non-representational space enforced by a rhetoric of the unexpressed.
The show included opening performances and new site specific installations by five artists.
promoted by :: Regione Lombardia
with the support of :: BMP Sas (Milano), The Nomura Cultural Foundation (Tokyo), Unione del Commercio, del Turismo, dei Servizi e delle Professioni della Provincia di Milano.
technical Sponsor :: Hantarex, Electronic Systems, Milano
supported by :: Consulate General of the People’s Republic of China in Milano, The General Consulate of Japan in Milano, The General Consulate of the Republic of Korea
Emporium was selected for best exhibition design in ADI – Design Index 2010 as finalist for the Compasso D’Oro Award.