June 23 – July 1, 2007
various locations | Beijing, CN
art direction :: Beatrice LEANZA & Pauline DOUTRELUINGNE
main organizers :: BAO Atelier & Platform China Contemporary Art Institute
in collaboration with: Soho China, Ltd.
, 86/33 Link
, Theatre in Motion, Chaos Projects
supporting institutions :: CAFA (Central Academy of Fine Arts), Beijing Film Academy, Goethe Institute Peking
, Austrian Cultural Forum, Norwegian Office of Foreign Affairs, Embassy of Belgium in China, Mexican Secretary of Foreign Relations (Mexico), Icelandic Art Center
sponsored by :: MinSheng Bank, Barco, Boloni Group, Intelligent Alternative
media partners :: Modern Media, Domus China
, Time Out Beijing
, City Pictorial
, City Weekend
An experimental urban platform unfolding over the course of nine days, it takes as its area of investigation the interconnection between visual production and contemporary urban culture with a focus on video art and its multidisciplinary accounts. Conceived as a continuous narrative, the event moved every day into a new location within different areas of Beijing city, networked through public and private institutions, commercial and educational spaces including universities, galleries and art venues.
It featured an international program of both exhibitions and public programs such as talks, workshops, screenings, and live performances bridging perspectives from installation, short film, documentary, animation, performance and music, sound art, architecture and design.
Borderline‘s structure included three overarching sections: 2 thematic exhibitions, 6 days of Mobile Lab and night events. Full content on all events can be viewed at www.borderlinefestival.org.
A Theory-Fiction between the Real and the Possible
Opening exhibition of Borderline Moving Images 2007
SoHo Shangdu Underground Parking Lot | Beijing, CN
:: Beatrice LEANZA
:: LI Naihan
artists :: Fikret ATAY, Johanna BILLING, Candice BREITZ, Mircea CANTO, Calin DAN, Claire FONTAINE, 高世强 GAO Shiqiang, Clarisse HAHN, Teresa HUBBARD & Alexander BIRCHLER, Jesper JUST, Mathieu LAURETTE, Melik OHANIAN, 欧宁 OU Ning & 曹斐 CAO Fei, 石青 SHI Qing, Ulla Von BRANDEMBURG, 吴文光 WU Wenguang, 张培力 ZHANG Peili.
design background ::
Through the ideal city, the grand socialist city, the modern city — the social, subjective and political space are represented.
The space design accommodates the narrative of the different video pieces into a constructed environment of ephemeral simulation, where the spatial qualities of certain Beijing urban tropes and structures of spatial signification, sociality, movement, will be juxtaposed to specific filmic stories. Seduction is a staged fiction that wishes to provoke how forms and processes of production ultimately surface while questioning the reception and understanding of cultural orders as reconstructed truths. In the underground site of SoHo Shangdu parking lot, the experience offered to the viewer and the challenge put on the works presented is that of reconsidering the way they expose themselves to each other (as belonging to diverse critical/cultural/information systems and subjective spheres) while restoring that minimum distance necessary for the latent meaning of the image to remain still and become a point of collective meeting and counter representation. In this sense the show also puts together filmic languages that are very distant yet articulates vivid coded systems within a hybrid environment. The participation of the public in the reading of the show is thus one based on displacement and surprise, unattended meetings with subconscious and alien “possibilities” of existence that the one dimensional media performance of the modernizing process often hides, yet perpetuates.