Xijing: The work of the Xijing Men collective

exhibition catalogue
Bevilacqua La Masa Foundation | Venice, IT
organized in collaboration with Arthub Asia

editor ::  Beatrice LEANZA
catalogue design ::  Hironori Oooka Office | Tokyo, JP
publisher ::  Fondazione Bevilacqua La Masa
details ::  Italian and English | full color | 60 pp.

Realized on the occasion of the first institutional exhibition of the Xijing Men collective, the catalogue features the first complete survey of its work from 2007 until today. The book includes written introductions and images of 11 projects including the Venetian one. With contributions by Angela VETTESE (director Fondazione Bevilacqua La Masa) Arthub Asia (Davide QUADRIO & Defne AYAS) and an essay by Beatrice LEANZA.

Museum on Paper: Xijing Letters
March 2011 issue of Art & Investment Magazine (CN)

curator ::  Beatrice LEANZA
artists ::  Xijing Men collective (CHEN Shaoxiong, OZAWA Tsuyoshi, GIMhongsok)

The Chinese contemporary art magazine Art & Investment hosts a special curatorial project dubbed “Museum on Paper” which, published 6 times per year, features an 18 pages, custom designed insert dedicated to the work of one artist or specific project.

Xijing Letters is an exploration of Xijing world by means of 27 keywords selected by the artists as related to their unique collaborative practice. Each of the keyword is illustrated by visual or written inserts as excerpted by videos, interviews, curatorial texts and the artists’ own drawings. The irregular size of the pages exposes the different background colors used for each of the keywords.

The idea came from research on an hypothetical book structure (Xijing Zaji: Miscellaneous Records of the Western Capital) conceived to resemble the anthological character of traditional historiographical literature: generally complied at different moments in dynastic times in the form of collected works. Inclusive of eminent biographies, geographical records and factual accounts, literary and artistic genres, myths and folklore) this type of encyclopedic formats are known to be of extravagant nature and of relative scientific value. Organized in alphabetical order and structured along a selection of key-words and epistemological categories embedded in the work of the collective, the book would aim at contaminating discourse and critique with its deviant humor and disarming digressions.