THE READER: Across Chinese Cities – Beijing


ACROSS CHINESE CITIES – Beijing [THE READER]

Concept and Editorial Direction :: Beatrice LEANZA
Editorial Assistants :: HAN Chang, ZHAO Ying, Claudia FENG
Copy editing and proofreading :: David Drakeford
Designed by :: LI Xibin and SUN Xiaoyu from D-T-Z-W Design Studio
Published by :: Beijing Design Week, June 2014

Published on the occasion of the exhibition Across Chinese Cities – Beijing, an official collateral event of the 14th International Architecture Exhibition La Biennale di Venezia, THE READER is as complementary research tool inclusive of a rich textual selection from original sources excerpted from existing historical and critical literature, fiction, journalism, blogs and articles, in Chinese and foreign languages. Some of the Chinese texts appearing here have been translated in English for the first time. THE READER is oragnized in 7 thematic chapters referencing  and complementing those articulating the show, namely:

The Outer and Inner City (on Architecture and Urban History)
Cultural Hub
Historic Industries and Commercial Ecology
The People’ Factor and The Real Estate of  Things
The Pre-Olympic Conundrum (A City that was)
Preservation, Friend or Foe?
Communities and The Architecture of Relationships

Contributors included experts and participants to the exhibition:

Michele MATTEINI, Aric CHAN, Laura Trombetta PANIGALDI, Abitare China magazine, Approach Architecture, CAFA – Central Academy of Fine Arts, Matali CRASSETT, CYJO, Instant Hutong, Kenya Hara studio, LAVA design agency, Lumalu, Meta Hutongs, People Architecture Foundation, People’s Architecture Office, reMIX Architecture, SANS Practice, Varvara SHAVROVA, Standardarchitecture, Studio Ramoprimo + MDDM Studio, The DaZhaLan Project (CAO Fei and OU Ning), Jia Yong, MAD Architects, Michael YOUNG, HUA Xinmin, CUI Yong

 


Nike China ’08


Nike 706

November 2006
Dashanzi Art District | Nike Energy Space

Creative research and concept development for opening event, program planning and art direction of Nike China’s creative space in 798 Art District. Located in one of the largest industrial spaces within the well-known art district, Nike 706 looked at creating a foundation for informed brand and culture appreciation by delivering a cumulative consumer experience over the course of 2 years, in the run up to the 2008 Beijing Olympics. The research focused on an analysis of existing subcultural trends, neo-tribal communities and creative industries in contemporary China.
Book, print items and program planning.

 

Nike China ’08

January – October 2007
Nike & Beijing 08 Olympics | Golden Team

[Not a valid template]

On the backdrop of the 2008 Olympics, an in-depth case study of local youth trends and sport culture through the lens of Nike’s start athletes, developing strategic creative formats redefining the brand’s positioning and its impact in contemporary urban culture. Production of research tools, multimedia and textual supports.

 

Nike Alter Ego

January – October 2007
Nike & Beijing ’08 Olympics | Golden Team Manga Series

[Not a valid template]

Integrated yet running parallel to the research for Nike China ’08, this project included development of concept structure, storyboards and production plan for a series of comic books fictionalizing sport and sportsmanship through the life and adventures in a mysterious megacity.


Nike China ’08


Nike & Beijing ’08 Olympics – Golden Team

January – October 2007

On the backdrop of the 2008 Olympics, an in-depth case study of local youth trends and sport culture through the lens of Nike’s star athletes, developing strategic creative formats redefining the brand’s positioning and its impact in contemporary urban culture. Production of research tools, multimedia and textual supports.


Alllooksame?


Tutttoguale? 
Art from China, Japan and Korea

8 November 2006 – 11 February 2007
Catalogue of exhibition at Fondazione Sandretto Re Rebaudengo | Turin, IT

curator ::  Francesco BONAMI

Alllooksame? / Tutttuguale? is an exhibition aimed at emphasizing the complexity of the art scene in China, Japan and Korea from a Western point of view. Such an approach shows how difficult it can be for a non-Asian curator to set aside his prejudices and find a thread across the different identities of the three countries, which are already intertwined on a historical and linguistic level, but completely different, or even opposed, in terms of culture and creativity. The title, Alllooksame? / Tutttuguale?, was borrowed from an Internet site that was created by a young Japanese — partly as a joke, partly to celebrate the stereotype of “diversity at any cost” while underlining the significant difference between prejudice and racism.

from the introduction written by Francesco BONAMI

participating artists ::  CAO Fei, CHEN Qiulin, CHEN Shaoxiong, CHEN Xiaoyun, HU Yang, JIANG Zhi, KAN Xuan, LI Shurui, LIANG Juhui, LIU Ding, LIU Wei, LU Chunsheng, Qingyun MA, SHI Yong, SONG Tao, WANG Xingwei, Xu Zhen, YANG Yong, YANG Zhenzhong; AYOAMA Satoru, BAIK Hyunjhin, CHOI Ho Chul, GIM Hongsok, Im Gook, KIM Beom, KIM Kira, KOO Donghee, LEE Hyungkoo, LEE Yong-Baek, PARK Junebum, SO Young Choi; AKIYAMA Sayaka, FUKAYA Etzuko, KAKITANI Tomoki, KANEUJI Teppei, Manabu IKEDA, MAKOTO Aida, MORI Chihiro and SHOJI Michiko