Concierge @ The House of Leaves

September 24 – October 3, 2011
BJDW – Beijing International Design Week 2011
Design HOP | Dashilan’r, Beijing

For its participation to the first international Beijing Design Week, BAO Atelier stationed its project in the bustling neighborhood of Dashilan’r, the historical commercial district of old Beijing right by Tiananmen Square, and house to the most cutting-edge, experimental program of BJDW.

The project takes cue from Naihan LI’s latest series of design works titled “The Crates”. Inspired by the volatile and exuberant spirit of a contemporary urban habitat like Beijing’s and its epic detournement of building construction, decay and regeneration, LI’s mobile creations accommodate with poetic comfort the moody impracticality of globe-trotting, ready-to-move lifestyles. Sofas, beds, bookshelves, workstations, and foosball tables pop out of their own shipping shell to form a unique spatial language which is whole with a ‘total’ concept of dwelling. Wooden crates become carapaces to contain the body, objects and the memories we carry with them. Situational freeplay and sculptural abstraction blend here to make room for a design practice which is intrinsically relational and open-ended.
On this occasion a brand new all-in-one Media Box was presented, including its mini-cinema, DJ deck, lights, karaoke equipment, multimedia screens and seating area.

Concierge is a curatorial inspiration developing from this design ensamble: the installation built inside one of Dashilanr’s old factory complexes materialized an inexistent part of the actual building dubbed “The House of Leaves“, a semi-private/semi-public residence located on the edge of the Fifth Ring Road in Caochangdi village (also home to BAO Atelier offices). Drawn upon an intimate image of both action and reflection, this serendipitous space represents an antechamber of no definite time or spatial confines, a public retreat and an interior garden activated by a politics otherwise known as ‘meeting’. Daily talk-shops, happenings and presentations are accompanied by impromptu performances and informal gatherings, with cocktail making sessions and live music. Events included among others: a scribbling, scrawling and mixing afternoon with WEN Ling (aka Ziboy), graffiti artist HE Cong and Leo (86/33 link); workshops organized in collaboration with the British Council, such as “Domestic Super Objects”, an experiment with everyday domestic objects to reveal their creative potential by designer Nelly BEN HAYOUN, and “Nuclear Tea Party You” by designer Zoe PAPADOPOULOU.

The Third Party:  An Exhibition in Three Acts

November 11, 2010 – January 24, 2011
Platform China Contemporary Art Institute | Beijing, CN

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curator ::  Beatrice LEANZA
exhibition design ::  LI Naihan

The tripartite exhibition The Third Party (see The Third Party [curatorial]) explores the shaping relationships between narrative and aesthetic objects to foreground an inquiry in the realm of the ‘ordinary’ specific to the Chinese context. By juxtaposing different acts of description as represented in the work of a group of artists from across the country, the three portions of the exhibition place three different possibilities of narrative articulation. From the most intimate and solipsistic to the collective and participatory, they intend to break off the circuit of signification and knowledge between work and world, and rather expose the processes by which meaning is produced and attributed.

The exhibition is visually designed to present the works of the individual artists as self‐pronounced archival displays. While each act features a different group of artists, some of the works will varyingly evolve in the course of the three months or come to completion at an arbitrary moment in time. Responsive to the idea of the exhibition as a ‘field report’, one that escapes the structural preordering of objectifying analysis, a special architectural installation called The Beehive has been devised by LI Naihan. Constituted by units of hexagonal cardboard boxes variously repurposed to be adopted and adapted according to the works, The Beehive creates a deceptive information system that allows for the temporary arrangement of both things and the ‘emotional ecologies’ attached to them. It allows the works to drift in their own visual and material reality while making it possible for us to see them as disjunctions of a larger contextual narrative.

Emporium:  A New Common Sense of Space

November 4 – December 8, 2009
Museo della Scienza e Tecnologia Leonardo da Vinci | Milano, IT

curation :: Beatrice LEANZA
exhibition design and graphic project :: studio dotdotdot, Milan
catalogue design :: LI Naihan

artists ::  AHN Doojin, AHN Kanghyun, AN Jungju, BAE Young Whan, BIRDHEAD (SONG Tao & JI Weiyu), GAO Shiqiang, HASHIMOTO Satoshi, Elaine W. HO for HomeShop, JUNG Yeondoo, KIM Gisoo , KIM Sangdon, LEE Wooyeon, LI Naihan, LIANG Shuo, MATSUBARA Megumi, MIN Ji Ae, NI Haifeng for ARROW FACTORY, NIWA Yotaro, QIU Xiaofei, Siren Eun Young JUNG, TANAKA Koki, MICHIKAZU Matsune for THE SHOP, XIJING MEN (GIMhongsok, CHEN Shaoxiong & OZAWA Tsuyoshi), YAN Jun, YANG Jun, KIMURA Yuki, KIMURA Taiyo

Emporium: A New Common Sense of Space</em > exhibition catalogue, full color images and curatorial essay by Beatrice LEANZA. Customized lettertype for mail visual. Digital invitation and posters.

Selected for best exhibition design in ADI – Design Index 2010 as finalist for the Compasso D’Oro Award.

September 10, 2009 – October 11, 2009
Part of the 2009 Shanghai eArts Festival
DDMwarehouse | Shanghai, CN

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curators ::  Alex ADRIAANSENS, LI Zhenhua
exhibition design ::  LI Naihan

09′ New Media Archaeology attempts to offer up new media realities happening at several time-cues in the past, the present and the future. This reality is revealed through several clues. One clue comes from the development of visual art after photography. Another is from the art forms influenced by the knowledge and technologies in different fields based on science of chaos developed in the 1960’s. 09′ New Media Archaeology intends to integrate new media art developments under these two main clues, and to implement further discourse, exhibition and discussion with such social topics as urban design, public education and concept integration. It is hoped that a new mode of development can be co-constructed beyond borderlines between artists, planners, organizations and universities from different countries, presenting the sources of these clues by establishing the past events of new media, determining starting directions through discussion of future events, and a platform for discussion can be provided through present exhibitions. 

— from the event press release

June 23 – July 1, 2007
various locations | Beijing, CN

art direction ::  Beatrice LEANZA & Pauline DOUTRELUINGNE
main organizers :: BAO Atelier & Platform China Contemporary Art Institute, Beijing
in collaboration with: Soho China, Ltd., 86/33 Link, Theatre in Motion, Chaos Projects
supporting institutions :: CAFA (Central Academy of Fine Arts), Beijing Film Academy, Goethe Institute Peking, Austrian Cultural Forum, Norwegian Office of Foreign Affairs, Embassy of Belgium in China, Mexican Secretary of Foreign Relations (Mexico), Icelandic Art Center
sponsored by :: MinSheng Bank, Barco, Boloni Group, Intelligent Alternative
media partners :: Modern Media, Domus China, Time Out Beijing, Danwei.org, City Pictorial, City Weekend, Vision, Art&Design China

An experimental urban platform unfolding over the course of nine days, it takes as its area of investigation the interconnection between visual production and contemporary urban culture with a focus on video art and its multidisciplinary accounts. Conceived as a continuous narrative, the event moved every day into a new location within different areas of Beijing city, networked through public and private institutions, commercial and educational spaces including universities, galleries and art venues.

It featured an international program of both exhibitions and public programs such as talks, workshops, screenings, and live performances bridging perspectives from installation, short film, documentary, animation, performance and music, sound art, architecture and design.

Borderline‘s structure included three overarching sections: 2 thematic exhibitions, 6 days of Mobile Lab and night events. Full content on all events can be viewed at www.borderlinefestival.org.

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