November 11, 2010 – January 24, 2011
Platform China Contemporary Art Institute | Beijing, CN

curator ::  Beatrice LEANZA
exhibition design ::  LI Naihan

The tripartite exhibition The Third Party (see The Third Party [curatorial]) explores the shaping relationships between narrative and aesthetic objects to foreground an inquiry in the realm of the ‘ordinary’ specific to the Chinese context. By juxtaposing different acts of description as represented in the work of a group of artists from across the country, the three portions of the exhibition place three different possibilities of narrative articulation. From the most intimate and solipsistic to the collective and participatory, they intend to break off the circuit of signification and knowledge between work and world, and rather expose the processes by which meaning is produced and attributed.

The exhibition is visually designed to present the works of the individual artists as self‐pronounced archival displays. While each act features a different group of artists, some of the works will varyingly evolve in the course of the three months or come to completion at an arbitrary moment in time. Responsive to the idea of the exhibition as a ‘field report’, one that escapes the structural preordering of objectifying analysis, a special architectural installation called The Beehive has been devised by LI Naihan. Constituted by units of hexagonal cardboard boxes variously repurposed to be adopted and adapted according to the works, The Beehive creates a deceptive information system that allows for the temporary arrangement of both things and the ‘emotional ecologies’ attached to them. It allows the works to drift in their own visual and material reality while making it possible for us to see them as disjunctions of a larger contextual narrative.